Download PDF Stop-Motion Puppet Sculpting: A Manual of Foam Injection, Build-Up, and Finishing Techniques
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Stop-Motion Puppet Sculpting: A Manual of Foam Injection, Build-Up, and Finishing Techniques
Download PDF Stop-Motion Puppet Sculpting: A Manual of Foam Injection, Build-Up, and Finishing Techniques
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Review
"superbly illustrated...Brierton generously shares the knowledge he has gleaned from more than 30 years of puppet-making experience...various steps are clearly explained and are accompanied by detailed, black-and-white photographs"--Animation Magazine.
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About the Author
Tom Brierton is an educator, independent filmmaker and stop-motion animator. He lives in Griffith, Indiana.
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Product details
Paperback: 74 pages
Publisher: McFarland & Company (July 2004)
Language: English
ISBN-10: 0786418737
ISBN-13: 978-0786418732
Product Dimensions:
8.5 x 0.2 x 11 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#387,749 in Books (See Top 100 in Books)
I am getting into stop motion and like bought this book for some pointers. However it is very specific to materials and technique and I needed something broader. I wouldn't make the investment in materials for what is practically professional quality animation. I did find the book well written, clear and well illustrated ( Kindle edition) ; perhaps a little too brief. I certainly don't regret purchasing it.
This book is pricey but the information it contains is very hard to get elsewhere. Its for a person who wants to make professional level figures for stop motion animation, maybe advanced hobbyists who are pretty serious about it.There are three major sections to the book:1. how to to sculpting of figures in clays2. How to take these clay sculptures and turn them into foam injected puppets3. How to do the foam build up method over an armature to create a puppet.This is a fifty dollar investment so I will give you more about these things.Parts 1 and 2 are all about sculpting a clay figure then casting a plaster mold around it. Once that mold is done you put the armature in and cast the foam into it. This whole process is pretty involved and you have to take care of a lot of details. But, if you get this all down you will create some amazing puppets. I tried this whole process but could never get it right. That's my failing not the book. I ended up moving on to the process in section 3....In section 3 you create an armature then build up pieces of foam around it. This makes the musculature and shape of the figure. Then you coat it with materials and latex rubber to give it a skin. I did all this and successfully created my puppet (2 foot dragon)So, The book is good, shows the processes but you have got to be serious about the making of animation puppets.
This product was delivered extremely fast. The book is amazing
Book came very quickly and in great shape. That's all I ask. Thanks so much.
As the title of the manual suggests, the book is a primer of learning the fundamentals of foam injection and build-up techniques, material which is (especially the unique process of build-up technique) difficult to find when wishing to create realistic Ray Harryhausen/Willis O'Brien-type animation puppets (as outlined in the build-up chapter of the manual).The book is called "A Manual of Foam Injection, Build-Up, and Finishing Techniques", not "The Manual...", and therefore one would assume before purchasing it that is yet another text on creating stop-motion puppets, and would be a viable addition to one's stop-motion library. The copy at the back the manual (as well as in web advertisements) indicates that this manual also covers the creation of replacement models for animation. This topic was discontinued by the author for a later manual that he is writing on stop-motion animation, lighting and cinematography. Prior to going to press, the author contacted the published to edit the replacement models topic out of the advertisements, but they did not do so.If would behoove web/book advertisers of this manual (or any book/manual) to include the page count of a given manuscript, so that consumers can know the size of the book in question.The cost of this manual is, in my opinion, overpriced, but the pricing was the decision of the publisher, not the author. The manual is also printed on substandard paper stock.Other stop-motion books currently on the market do not cover build-up technique as detailed as this manual, especially as it pertains to a machined armature. Virtually all stop-motion books on the market cover sculpted puppets using only wire armatures.The manual adequately explains what it set out to do, namely to explain the process of foam injection and foam buildup techniques. A chapter is devoted to basic sculpting techniques to initiate a beginner in the amenities of muscle structure and its importance to the creation of more realistic stop-motion models. This was, however, not the crux of the manual per se, which is why only one chapter was devoted to sculpting.The primarily complaints seem to be in its cost and the quality of the paper stock and images, as well as absence of more material to make the book more "saleable". However, further detail explanations of other types of anatomies (i.e. quadrupeds, fantasy creatures, etc.), would have driven the cost of the manual up exponentially. The manual is overpriced as it is.An entire chapter is devoted to the foam injection technique, and is explained in a simple and concise easy-to-follow explanation. As such, the manual has been geared to people interested in the art form, but who do not have advanced skill levels in sculpting, mold making, and foam injection.Regrettably, the publisher chose to use black and white photographs, and at low resolution. As such, the images suffer. It would have been preferable to use higher resolution images, and in color.If a kitchen oven cannot be used for foam injection in one's home, one might try to be resourceful enough to not give up and think of an alternative solution; namely, to use a kiln oven in a garage or other room that is out of harms way. It is common knowledge in the visual effects/stop-motion community that hot foam can be difficult and toxic to work with. The manual only confirms this.Given the subject matter and material covered within the manual, it should be less expensive, given what one gets for their investment. One should consider contacting the publisher if they feel that the manual is overpriced, or at the very least return the item if they are not satisfied.
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